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The Once Invisible Conclusion

A Note on the Poems

The pieces gathered here were made in 1996 under the influence, particularly, of John Ashbery's The Tennis Court Oath, Kenneth Rexroth's early poems (such as "Into the Shandy Westerness" and "Easy Lessons in Geography") Rexroth's translations of Pierre Reverdy, Joseph Ceravolo's selected poems, whatever I was able to get my hands on by Tristan Tzara, and a poetics perhaps best summed up by the editors of Dirigible as “a phenomenological lyricism which recreates the texture and logic of interior experience.”

June 2007

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Contents

  • Acknowledgments
  • A Note Regarding the Poems
  • Epigraph
  •   1 - The Once Invisible Conclusion
  •   2 - Light Dies in the Eyes
  •   3 - Dawn Overflows Some Distance From Here
  •   4 - One Infinity at a Time
  •   5 - Like Smoke I Drag
  •   6 - A Long Way From All Comes One
  •   7 - Erect Tongue / Muffled Church
  •   8 - My Will Sharpened and Blunted
  •   9 - Lullaby Sentence
  • 10 - Translated into a Finger on the Lips
  • 11 - Phoenix Records
  • 12 - Have Hands Will Rust I Must Confess
  • 13 - To the Fierce Laughter of the Mountains
  • 14 - Chorus of Wild / Flowers behind Eyes
  • 15 - Blue Sun / Set the Boundaries Never Mind

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Scott Keeney
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